Friday, 5 July 2013

What do the featured quotations demonstrate about gender in Elizabethan times?

Beatrice: “O that I were a man for his sake! or that I
had any friend would be a man for my sake! But
manhood is melted into courtesies, valour into
compliment, and men are only turned into tongue, and
trim ones too: he is now as valiant as Hercules
that only tells a lie and swears it. I cannot be a
man with wishing, therefore I will die a woman with grieving.

In Elizabethan times women were expected to be submissive. Wives were the property of their husbands. Some women were more independent than others, and some feared marriage. However, every woman expected to be married, and to depend on her male relatives throughout her life. Obviously, not everyone was in a hurry to get married, but marriage meant being in charge of your own home.

Beatrice is feisty, cynical, witty, and sharp. Beatrice has a war of wits with Benedick. The play implies that she was once in love with Benedick but that he led her on and their relationship ended. When they meet the two constantly compete to outdo one another with clever insults. Although she appears hardened and sharp, Beatrice is really vulnerable. Once she overhears Hero describing that Benedick is in love with her (Beatrice), she opens herself to the sensitivities and weaknesses of love. She refuses to marry because she has not discovered the perfect, equal partner and because she is unwilling to eschew her liberty and submit to the will of a controlling husband. In her frustration and rage about Hero’s mistreatment.

Beatrice rebels against the unequal status of women in Renaissance society. “O that I were a man for his sake! Or that I had any friend would be a man for my sake!” she passionately exclaims. “I cannot be a man with wishing, therefore I will die a woman with grieving.” If we change this into modern text it would read “Oh, if only I were a man! Or had a friend who would be a man for me! But there are no real men left. Their manliness has melted into pretty curtsies and fancy manners, and their bravery is spent on making clever compliments. All this conversing has turned men into tongues—and fancy ones, at that. The man who tells a lie and swears by it is now considered as brave as Hercules. I can’t make myself a man by wishing I were, so as a woman I’ll die, from grieving.” In this quote Beatrice is saying that men are nothing but cowards who hide behind words, she is saying that she as a woman she would like to be a man for her, Beatrice, to marry or a friend to be a man, she says this because she is rebelling against the tight restrictions of being a woman, not having any power at the end when she says “I cannot be a man with wishing, therefore I will die a woman grieving” she says this to demonstrate her passion about how she feels she should be a man but she cannot by wishing this so to be true so she will die grieving the fact she cannot be so.

Shakespeare uses Beatrice to show how unfair society is showing women can be as strong as men and they do not necessarily need men to make them whole; we have to bear in mind that Queen Elizabeth I was on the throne at the time Shakespeare wrote this play. This play demonstrates that Beatrice like the Queen of the time did not need to have a man by her side to make her strong, Beatrice was an intelligent, witty woman who could outsmart many a man. Beatrice does not want a man by her side as she believes that the society she was living in was unjust and demeaning to women she wanted to be heard, to be outspoken she came up with many intellectual quips biting back at Benedick, who had once we are led to believe led her on and then ended their relationship.

Benedick like Beatrice says he does not want a partner let alone to get married. Benedick talks about owning women such as buying them “Would you buy her…” but Beatrice does not want to be owned by a man, she rebels against all of the social rules about women being submissive. She wants to be a dominant woman she doesn’t want to fade into the background and be forgotten by men.

Men in that time wanted to have a wife who were deemed to be perfect; these virtues are what Benedick is looking for in a woman we see this when Benedick says that he is looking for a woman who is witty, fair, virtuous, wise and everything a Renaissance man is looking for in a woman they want to marry we see this in the quote “One woman is fair, yet I am well; another is wise, yet I am well; another virtuous, yet I am well; but till all graces be in one woman, one woman shall not come in my grace. Rich she shall be, that's certain; wise, or I'll none; virtuous, or I'll never cheapen her; fair, or I'll never look on her; mild, or come not near me; noble, or not I for an angel; of good discourse, an excellent musician, and her hair shall be of what colour it please God. Ha! the prince and Monsieur Love! I will hide me in the arbour.”. Benedick believes these traits all in one woman would be impossible to find.

When he looks into it further once he hears the prince and Claudio speaking of Beatrice’s love for him he starts to realise that Beatrice has all the traits he is after “This can be no trick: the conference was sadly borne. They have the truth of this from Hero. They seem to pity the lady: it seems her affections have their full bent. Love me! why, it must be requited. I hear how I am censured: they say I will bear myself proudly, if I perceive the love come from her; they say too that she will rather die than give any sign of affection. I did never think to marry: I must not seem proud: happy are they that hear their detractions and can put them to mending. They say the lady is fair; 'tis a truth, I can bear them witness; and virtuous; 'tis so, I cannot reprove it; and wise, but for loving me; by my troth, it is no addition to her wit, nor no great argument of her folly, for I will be horribly in love with her. I may chance have some odd quirks and remnants of wit broken on me, because I have railed so long against marriage: but doth not the appetite alter? a man loves the meat in his youth that he cannot endure in his age. Shall quips and sentences and these paper bullets of the brain awe a man from the career of his humour? No, the world must be peopled. When I said I would die a bachelor, I did not think I should live till I were married. Here comes Beatrice. By this day! she's a fair lady: I do spy some marks of love in her.”; likewise Beatrice does the same, after realising that the traits she is after are all held in Benedick’s character. Beatrice then realises that she can be strong and be with a man.

Although still just as powerful she rebels against Benedick in a lovers way, saying nay she doth not love him, but when Hero and Claudio pull out Benedick and Beatrice’s attempts at sonnets to each other “And I'll be sworn upon't that he loves her; For here's a paper written in his hand, A halting sonnet of his own pure brain,

Fashion'd to Beatrice.”(Claudio) “And here's another Writ in my cousin's hand, stolen from her pocket, containing her affection unto Benedick.”(Hero) they do realise that together they can be as powerful and happy being able to fight for dominance in their relationship.

Monday, 1 July 2013

What do the featured quotations demonstrate about gender in Elizabethan times?

Beatrice: O that I were a man for his sake! or that I
had any friend would be a man for my sake! But
manhood is melted into courtesies, valour into
compliment, and men are only turned into tongue, and
trim ones too: he is now as valiant as Hercules
that only tells a lie and swears it. I cannot be a
man with wishing, therefore I will die a woman with grieving.


Beatrice:   A dear happiness to women: they would else have been troubled with a pernicious suitor. I thank God and my cold blood, I am of your humour for that: I had rather hear my dog bark at a crow than a man swear he loves me.


 

 



20
BEATRICE
Too curst is more than curst. I shall lessen God’s sending
that way, for it is said, “God sends a curst cow short horns,”
but to a cow too curst, he sends none.
 

LEONATO
So, by being too curst, God will send you no horns.
 



25
BEATRICE
Just, if he send me no husband, for the which blessing I am
at him upon my knees every morning and evening. Lord, I
could not endure a husband with a beard on his face! I had
rather lie in the woolen.
 

LEONATO
You may light on a husband that hath no beard.
 



30


BEATRICE
What should I do with him? Dress him in my apparel and
make him my waiting gentlewoman? He that hath a beard
is more than a youth, and he that hath no beard is less than
a man; and he that is more than a youth is not for me, and
he that is less than a man, I am not for him. Therefore I will
even take sixpence in earnest of the bearherd, and lead his
apes into hell.
 

35
LEONATO
Well then, go you into hell?
 





40
BEATRICE
No, but to the gate, and there will the devil meet me like an
old cuckold with horns on his head, and say, “Get you to
heaven, Beatrice, get you to heaven; here’s no place for you
maids.” So deliver I up my apes and away to Saint Peter. For
the heavens, he shows me where the bachelors sit, and there
live we as merry as the day is long.
 

Sunday, 23 June 2013

Syllables homework

Shakespeare uses 10 syllables per line in all of his sonnets, but will sometimes vary this to 11 or even 9 syllables. Changing the amount of syllables can be interpreted in many different ways, for example in Sonnet 116 we see Line 12 containing 11 syllables, in previous lines Shakespeare is personifying love as a woman and because love is a feminine he ends with a feminine stress, or even showing the something is extended, this could be love or that the "edge of doom" is far away; Shakespeare also ends with the monosyllabic word "doom" this word has a feminine stress put upon it, showing the doom is, like a female, weak and can be easily overcome. 

Still in Sonnet 116 Line 6 "That looks on tempests and is never shaken" this is interpreted to be showing us that love can out last the storm/tempest, it can also be saying that love is a stronger force than the sea; the extra syllable in Line 6 can also show that love can deal with an unbalanced rhythm provided by the extra syllable, Shakespeare has also chosen to use the word "tempest" instead of storm to show the threat is much greater. In Sonnet 18 like in most sonnets Shakespeare talks of love, "When in eternal line to time thou growest" this line like Line 6 in Sonnet 116 talks of love being one almighty force yet again, it has an extra syllable to demonstrate love being longer, outlasting and eternal, and the love inside will grow. 
Both of these lines of 11 syllables relate to love outlasting, love being "eternal", it is also showing love can overcome an uneven rhythm and 'impediments'. Both poems speak of  love and how it is strong- stronger than death.

Friday, 21 June 2013

Extra Syllables

Shakespeare uses iambic pentameter to great effect in his sonnets, yet when he breaks the rules this is even more interesting. In Sonnet 1, for example, the line "And, tender churl, makest waste in niggarding." is 11 syllables.  The poem is about how the youth Shakespeare is advising should not tarry and love before he becomes old. This extra syllable could be to show the "waste" that the youth is making not finding someone to love.

This also puts stress on the word "own". It is a masculine stress and he is male so this makes sense but as well as this it could be telling him that he, the young man, is important and should grow up loving his life in the arms of another instead of being alone.

However, eleven-syllable lines can also be used in other ways; in Sonnet 116 the line "But bears it out even to the edge of doom." has one extra iam. It has this not to stress a particular word, but to unstress it. The word "doom" is made unstressed to make it seem weaker, less powerful and that it can be overcome.

Thursday, 20 June 2013

Sonnet work

In sonnet 126 line 9, he uses 11 syllables 'Yet fear her, O thou minion of her pleasure!' he is showing that he is a minion to her love giving her the last say because the 11th syllable is feminine.Also in line 10 'She may detain, but not still keep, her treasure:' he uses 11 syllables to show that her 'treasure'   is valuable.

In sonnet 116 line 6 'That looks on tempests and is never shaken;' he is showing that the boat is strong and can outlast a tempest, in line 12 'But bears it out even to the edge of doom.' he is showing that the ship can last longer and he uses the 11th syllable to explain the extra length.

To conclude i think that shakespeare uses extra syllables to put an extra point about it and to exaggerate a line.

Wednesday, 19 June 2013

In sonnet 116 he uses three lines that have 11 syllables, one of these lines is line 12 "but bears it out even to the edge of doom" he ends this line on a feminine word, he did this to say that love is so strong it can overcome anything including "doom". He also uses 11 syllables in line 6  " That looks on tempests and is never shaken" by this he suggests that love is powerful enough to concur anything as long as it is pure.                

In sonnet 130 he only uses one line that has 11 syllables which is line 13 " And yet, by heaven, i think my love as rare" he uses 11 syllables in this line because he uses the word "rare" it is also rare to use 11 syllables which is why he uses this. 
These two sonnets both are to do with love but also saying that love is so powerful that it can overcome even the worst things in life but also love doesn't have to be shown from the outside, it is what comes from within that counts.
In sonnet 130 there is one line with 11 sylabbles ,this line is number 13.
"and yet, by heaven, I think my love as rare"
He uses 11 sylables because he metions the word rare and having 11 sylable is is rare in a sonnet. it is like the "odd one out" line in the sonnet, and because of this it must mean something, it says things without saying it.
In sonnet 116 there is also a line will 11 sylabols, this is line 6.
"that looks on tempests and is never shaken"
This line could suggest that Shakespere is saying that love can overcome everything as long as it is togather. This sonnet has 3 lines with 11 sylabols , this is still rare like sonnet 130 bu t not as rare. A tempest is a storm at sea, so if a ship is at sea during a tempest it will get shaken but love can out balance this.

Tuesday, 11 June 2013

The 11th Syllable

Why does Shakespeare use lines that don't adhere to the familiar pentameter?

At times we find lines that are either 9 syllables or 11.  Compare two poems that use lines with 11 syllables - in what way is the use similar or different?

Write your answers in the comments box below.

Monday, 10 June 2013

Introduction to Shakespeare's sonnets

Composition Date of the Sonnets
Shakespeare wrote 154 sonnets.  These were probably written between 1592 and 1598. During Elizabethan times sonnets were often commissioned by wealthy parties.  This means writers were provided with a subject that the person paying them was interested in - this could have been a theme or idea or person. In 1609 Shakespeare's sonnets are said to have been stolen and published by Thomas Thorpe without Shakespeare's permission, however an arrangement was met and the sonnets were published. The sonnets were dedicated to a W. H., whose identity remains a mystery, although William Herbert, the Earl of Pembroke, is frequently suggested because Shakespeare's First Folio (1623) was also dedicated to him.


Narrative of the Sonnets
The majority of the sonnets (1-126) are addressed to a young man, with whom the poet has an intense interest in. The poet spends the first seventeen sonnets trying to convince the young man to marry and have children; beautiful children that will look just like their father, ensuring his immortality. Many of the remaining sonnets in the young man sequence focus on the power of poetry and pure love to defeat death and "all oblivious enmity" (Sonnet 55).   The final sonnets (127-154) are addressed to a promiscuous and scheming woman known to modern readers as the dark lady. Both the poet and his young man have become obsessed with the raven-haired temptress in these sonnets, and the poet's whole being is at odds with his insatiable "sickly appetite" (Sonnet 147). The tone is distressing, with language of sensual feasting, uncontrollable urges, and sinful consumption.  Because we know little other than a few facts about his upbringing, education and family life it is difficult to decide how true to Shakespeare's personal feelings the sonnets are.  It makes sense to read his poems as a work of fiction rather than looking for real people the poems may have been based on as we have little evidence of who could be who.  What will make your understanding clearer is a good understanding of the context they were written in.  This means what was happening over the period they were written.